Monday, January 30, 2006

FT.com / Iran Warns Baluch Rebels that "severe punishment awaits”

FT.com / World / Middle East & Africa - Kidnapping brings ethnic mix into relief: "Kidnapping brings ethnic mix into relief
By Gareth Smyth in Tehran
Published: January 30 2006 22:55 | Last updated: January 30 2006 22:55

Iran’s deputy interior minister on Monday warned of “severe punishment” if Sunni Muslim rebels in the south-eastern province of Sistan-Baluchestan harmed a soldier they captured last month.

Mohammad-Baqer Zolqadr said militants had released seven of eight soldiers kidnapped last month, but had claimed one was dead. “We still lack any accurate information and we hope these hooligans have not made any attempt on his life. But if this is true, severe punishment awaits,” he said.

The deputy minister blamed a group led by “Abdul-Malek Rigi”. The name was similar to “Abdul-Malek Baluchi”, given to al-Arabiya television in July as the name of the leader of a Baluchi group that sent the station a videotape of the beheading of an Iranian security official.

The killing had the hallmarks of Sunni militants linked to al-Qaeda, and al-Arabiya reported the group had demanded the release of jailed members and a ransom. Mr Zolqadr insisted on Monday that no “advantages” had been given to the kidnappers for releasing the seven soldiers.

The kidnappings have highlighted not just al-Qaeda’s apparent presence in Sistan-Baluchestan, which borders Pakistan and Afghanistan, but the potential for wider unrest among Iran’s ethnic and religious minorities at a time when the country faces growing international pressure over its nuclear program.

Half Iran’s 68 million people are made up of Persians, while the remainder include Kurds, Baluchis, Arabs, Lurs and Azeris. While close to 90 per cent of the population are Shia Muslims, the Kurds and the Baluchis are mainly Sunni. Kurds, Arabs and Baluchis all allege religious bias and discrimination in employment and regional development.

The deputy-governor of Ahvaz, provincial capital of the mainly Arab south-west province of Khuzestan, yesterday said 50 arrests had been made after two bombs last week killed eight people on a day that Iran’s President Mahmoud Ahmadi-Nejad was due to visit the city.

Manouchehr Mottaki, the foreign minister, has accused Britain of training militants in neighbouring Iraq to carry out the blasts and giving them refuge in London. It was unclear if he was referring to the Democratic Solidarity party of Ahvaz, which is London-based. The bombings were claimed on websites in the name of the Arab Movement for the Liberation of Ahvaz as part of a fight for independence.

A collection of ethnic-based parties opposed to Iran’s Islamic republic last year announced a Congress of Iranian Nationalities for a Federal Iran, advocating a “federal democratic” system of government based on “the separation of religion and state”.

Among the signatories, the Kurdistan Democratic party of Iran has replaced its earlier advocacy of limited autonomy following the example of Kurdish federalism in Iraq. The KDPI has been based in Kurdish-held northern Iraq since it was defeated by Iranian forces in the early 1980s, and remains illegal although it gave up its “armed struggle” in 1997.

But there is little uniformity among Iran’s ethnic minorities or the parties purporting to represent them.

In last year’s presidential election, Kurdish turnout was low. But a high turnout in Sistan-Baluchestan saw more than 50 per cent of voters back Mostafa Moein, the reformist candidate running on a platform of ethnic rights. Dr Moein was backed by Abdul-Hamid Esmaeel-Zehi, an influential Sunni cleric who has spoken out against both separatism and al-Qaeda.

Iran’s largest ethnic minority, the Azeris, number 15m-20m but are well integrated, influential in Tehran’s bazaar, and include Ayatollah Ali Khamenei, the country’s supreme leader.

Even the independence of Azerbaijan, the neighbouring former Soviet republic, in 1991 failed to stir significant unrest in Iran’s north-west, where Azeris predominate.

US dealings with Mahmud Ali Chehregani, a former parliamentary deputy who leads the Southern Azerbaijan National Awareness Movement, may have weakened any view in the US that Iran’s minorities could be harnessed to advance “regime change”. Mr Chehregani’s calls for Azeri protests have fallen flat."

Saturday, January 28, 2006

Prof. Owen Hannaway Rug Collector Dead at 66 - baltimoresun.com

Owen Hannaway, 66, Hopkins professor of science history - baltimoresun.com: "Owen Hannaway, 66, Hopkins professor of science history
By Jacques Kelly
Sun Reporter
Originally published January 28, 2006
Owen Hannaway, a Johns Hopkins University historian who focused on science in early modern Europe, died of complications from a stroke Jan. 21 at Keswick Multi-Care Center, where he had lived for three years. He had lived earlier in Guilford.
He was 66.

Born in Glasgow, Scotland, he was educated at St. Aloysius College, a Roman Catholic high school.

He earned a bachelor's degree in chemistry at the University of Glasgow in 1957 and his doctorate there eight years later. Concerned about the perils of handling explosive compounds that would be a part of working as a chemist, he decided to focus on the history of chemistry, family members said.

"He was a historian through and through," said his wife of 37 years, the former Caroline Moorhouse, a historian of medicine and past editor of the Bulletin of the History of Medicine. "That's what he was meant to be. He had a strong visual sense and could look at an old woodcut, think about it and say, 'What's going on here?' He was very curious."

He moved to the U.S. in 1966 and after a year at the University of Wisconsin joined the Hopkins faculty as assistant professor in the history of science department. He was named a professor in 1977 and remained at the Homewood campus for the rest of his career.

"He had a beautiful Scottish accent. He was a brilliant lecturer and a riveting performer," said Dr. Sharon Kingsland, chairwoman of the department of history of science and technology.

He was the author of The Chemists and the Word: The Didactic Origins of Chemistry, a 1975 work that discusses chemistry's progress in Europe from the 16th century.

He also edited Observation, Experiment, and Hypothesis in Modern Physical Science, a 1985 volume of essays. He also wrote journal articles, book reviews, essay reviews, and dictionary articles.

Dr. Hannaway had a number of interests. He sang and played the piano as a young man. He collected Oriental rugs. He also traveled widely and enjoyed food and wine. He also pursued an interest in ornithology.

"Owen had a brilliance that is hard to describe. It shone through in the particular gleam of his eye when making a point. It was ... [an] ability to penetrate to a fascinating core of a problem," said Pamela Smith, one of his former students, who is now a Columbia University professor.

In a 1999 talk, Dr. Hannaway credited the Jesuit fathers at St. Aloysius "who taught the classics [and] had all gone to Oxford ... [and] the fierce intellectual competitiveness amongst the boys," as well as the school's "emphasis on rhetoric and public speaking."

Dr. Hannaway had been co-director of the Center for the History and Philosophy of Science at Hopkins. He was a member of the Advisory Committee of the Alan Mason Chesney Medical Archives for the Johns Hopkins Medical Institutions.

The Chemical Heritage Foundation organized a 1999 symposium in his name. He also was awarded prizes by the History of Science Society and the American Chemical Society.

He suffered a cerebral hemorrhage in 1993 and after his recovery, he returned to teaching part time. He retired in 1999.

A memorial service will be held at 2 p.m. today at the Evergreen House Theater, 4545 N. Charles Street.

In addition to his wife, survivors include two sisters, Christine Brown of Cockermouth, England, and Mary Gardner of Burlington, Canada, a Toronto suburb.


jacques.kelly@baltsun.com"

FarsiNet News - Sobhe on the fluctuation of the Rial - February 1999

FarsiNet News - News related to Iran, Iranians and Persians - February 1999: "Iran rial recovers, but economic worries remain

By Firouz Sedarat
TEHRAN, (Reuters) - The Iranian rial has recovered somewhat after recent plunges against hard currencies, but traders and economists remain concerned about the economic impact of the currency's fall.
On Tehran's illegal but active black market, dealers on Thursday were trading the rial at 8,100 to the dollar compared to about 8,700 rials per dollar three days ago. Traders said the rial improved after police rounded up dozens of street dealers since Tuesday. The currency is still 11 percent lower against the dollar compared to two weeks ago.

``I think currency speculators are betting on Iran running seriously out of hard currencies, with a view to the recently approved budget and its debates,'' said economist Fariborz Raisdana, referring to the heated parliament debates which exposed Iran's fragile financial situation. Many deputies expressed skepticism about forecast state revenues being realised due to low oil prices and predicted that the government would face another debilitating budget deficit like this year's shortfall of $6 billion.

The heavy deficit has forced the government to seek $3 billion in new loans from foreign creditors and to slash hard currency expenditures at home, forcing many state-run firms to turn to the black market for their hard cash needs.

Economists say fears of a possible flurry of price rises in the new year which starts on March 21, when fuel prices will be increased by up to 75 percent, had also prompted many ordinary Iranians to buy hard currencies as a hedge against inflation.

``Economically the concern is that the private sector seems to be sinking its liquidity into the black foreign exchange market again, instead of other relativlely more productive ventures, such as construction,'' Raisdana said.

Iran has had strict foreign exchange controls since 1995, when the government imposed an official rate of 3,000 rials to the dollar and banned free-market currency exchange.

The rules, adopted to halt a plunge of the rial and a capital flight after the United States announced sanctions against Iran, led to years of relative stability of the currency after police arrested scores of black market dealers. But the rial has lost 40 percent of its value against the dollar since early last year as a slump in oil prices hit the economy. Iran, the world's third largest oil exporter, depends on oil for about 80 percent of its hard currency income.

Khosrow Sobhe of the Iranian Carpet Exporters Association said the rial's frequent fluctuations were hurting exports. ``There is a daily confusion on prices among dealers because of the rial's fluctuations, and that does not help the prestige of Persian carpets,'' said Sobhe about the rugs which are Iran's second biggest hard cash earner after oil.

Sobhe said dealers were finding exports less profitable because of the large difference between the black market rate and the official rate of about 5,700 rials per dollar at which they are required by law to sell their hard currency earnings."

Iran International Magazine - Dr. Kai-Khosrow Sobhe

Iran International Magazine - On Agenda: "January 2003 / No. 21

The Chamber Needs to Do Its Job

"The alleviation of many export and production inadequacies in the past years has been due to the direct and indirect efforts of ICCIM."
Dr. Kai-Khosrow Sobhe, member of the board of directors of Iran’s Chamber of Commerce, Industries and Mines (ICCIM) believes that narrow-mindedness, suspicion and lack of trust of the private sector in Iran are the main reasons why its potentials have not so far been taken seriously and why the chamber is losing sight of its central role.

He added that ICCIM’s role in the expansion of foreign trade carries special weight and with slight alterations in its structure, the guidance of the private sector may come within the hands of this institution. The fact that the country's economy is in the hands of the government, the flaws and the need for awareness within the private sector, ambiguity of regulations, the out-dated system in use in the production sector plus unsteady and inconvenient political relations with other countries are among the problems facing our non-oil exports.

There has been a rise in the rate of imports as compared to that of exports. The high rate of consumption within the country has made imports of necessary goods more profitable than exports and competition in world markets. There was so much profit involved in imports that until a short time ago when there existed the multiple exchange rates, a specific group using various fronts would receive currency at very low rates and imported goods which were then sold at high black market rates in the country.

The alleviation of many export and production inadequacies in the past years has been due to the direct and indirect efforts of ICCIM, which is an advisory body that presents its points of view to the country’s three main government branches at regular intervals.

The electoral system within the organization is presently suffering and the lack of voters in the sessions held is due to various reasons, including cultural problems suffered by most Iranians who are basically unwilling to get for involved in group activities.

The disregard by some members of the results of the votes and the persons chosen and their unawareness of the times of elections stem from weak communication or overload of outside duties. This has naturally led to the reduction in the number of voters in chamber elections. The chamber’s budget is obtained from membership fees and the taxes obtained from members. ICCIM normally has trouble in collecting the mentioned taxes. Each year’s budget is usually approved by the representatives of the chamber, which means it is approved by the principal governing body of the institution.

The main services rendered to the members of ICCIM and clients include the introduction of the members and cardholders to various embassies for visas, making of travel preparations, organizing of commercial exhibitions and formation of joint chambers of commerce with other countries, presentation of statistics and information and bringing together foreign and Iranian businessmen and women."

Friday, January 27, 2006

Persian rugs shine at DOMOTEX 2006

IranMania.com
Monday, January 23, 2006 - ©2005

LONDON, January 23 (IranMania) - Persian rugs have reportedly sold quite well in DOMOTEX HANNOVER 2006, ILNA said.
DOMOTEX 2006, which was held in Germany last week, is an international trade show and a springboard to the fast-growing Asian markets, offering opportunities to access the Middle East market.
According to Commerce Ministry, Persian rug sales at the exhibition managed to compensate for the poor international sales of the product last year.
Iranian carpet companies were represented with 50 stalls and visitors reportedly took great interest in Persian rugs, world-famous for their unique traditional designs and natural colors.
The organizers of DOMOTEX HANNOVER 2006 announced the winners of the Carpet Design Awards (CDA) on January 15.
For Best Traditional Innovation, Miri Iranian Knots of Iran won the top prize of 1,000 euros.
The judges were impressed with the care this company takes to ensure that each carpet is unique with its own special features, according to the official website of DOMOTEX HANNOVER 2006.
Some $197.1 million worth of Persian rugs was exported during March-September 2005.
Hand-woven carpet exports to Germany and the United States accounted for some 63 percent of the amount in the period during which $45.5 million worth of carpets was exported to Germany, $39.6 million to the US, $17.9 million to the United Arab Emirates, $16.7 million to Japan and $15 million to Italy.

Dr. Khosrow Sobhe
Sobco International Ltd.
11569 Olympic Blvd. Los Angeles, CA 90064
www.rugidea.com info@rugidea.com

Alan Taghdisi Brings His World Class Rug Collection To Houston. Oriental Rug Bazaar's New High End Rug Showroom Offers Museum Quality Rugs

Alan Taghdisi Brings His World Class Rug Collection To Houston. Oriental Rug Bazaar's New High End Rug Showroom Offers Museum Quality Rugs: " Alan Taghdisi Brings His World Class Rug Collection To Houston. Oriental Rug Bazaar's New High End Rug Showroom Offers Museum Quality Rugs

Alan Taghdisi of Oriental Rug Bazaar (5525 Westheimer) has brought one of the countries premiere antique rug collections to Houston Texas.

Houston, TX (PRWEB) January 27, 2006 -- Alan Taghdisi of Oriental Rug Bazaar (5525 Westheimer) has brought one of the countries premiere antique rug collections to Houston Texas.

“There is a great demand for specialty antique rugs in our region,” said Oriental Rug Bazaar owner Alan Taghdisi. “I’ve taken my personal rug collection and combined it with the premier pieces from a long time European collector to create the most exclusive antique rug collection available.”

This multi-million dollar collection is currently being displayed and sold at Alan Taghdisi's showrooms in Houston, New York, and Los Angeles. Mr. Taghdisi’s Houston showroom is located inside the 30,000 square foot Oriental Rug Bazaar building.

“We have created a special environment to cater to the discerning needs of the high end rug collector. Quality and over-service will be our hallmark,” Taghdisi added.

The Alan Taghdisi Antique Collection consists of the following:

Antique oushaks, serapi, Tabriz haji jalili, lavar, kirmanshah, ferahan, French aubussons, French tapestries, Mohtasham kashans wool and silk, Turkish hereke, and Agra all over 100 years old. Sizes range from 2' x 3' to 18’ x 26’; all in emaculate condition.

It is widely believed by the leading auction houses and prominent antique collectors that the Alan Taghdisi Antique Collection is the finest and largest for a single collector in the world.

For more information on the Alan Taghdisi Antique Collection or to make an appointment call 713 960 9070 or visit www.alantaghdisirugs.com"

The Daily Northwestern - Event highlights Afghan women�s rugged way of life

The Daily Northwestern - Event highlights Afghan women�s rugged way of life: "Event highlights Afghan women’s rugged way of life
Company’s goal is to benefit women in Afghanistan by selling their homemade rugs
by Elizabeth Gibson

January 20, 2006

Like most people browsing a rug store, the guests at the Minasian Rug Company on Thursday night felt the texture, considered colors, noted the tightness of the weave and took measurements of the cloth.

They also looked at the portraits and stories off to the side, stories about the impoverished Afghan women whose families spent up to a year at a loom weaving the rugs.

The nonprofit Arzu, or “hope” in Dari, opened its first gallery of Afghan rugs at Minasian, 1244 Chicago Ave., Thursday with a special exhibit and guest speaker Shamim Jawad, the wife of the Afghan ambassador to the United States.

Arzu looks for Afghan weavers, many of whom went into debt trying to buy supplies for their craft and dealing with salesmen. The 2-year-old organization then provides them with quality supplies and sellable designs to increase the quality of their products.

The 160 families employed by Arzu each have their own story. Although the $100 debt of Aghul Durdi, a widow with two grown children, might at first seem insignificant, her estimated income of $300 to $400 a year puts it in context.

The first Arzu rug came from a woman who spent the money she earned on a head covering because she had none. Without it, she had not been allowed to leave her home.

“I get inspired every day by these women,” said Connie Duckworth, Arzu founder and president.

In addition to a 50 percent cash bonus when the rug is finished, the weavers receive transportation to free medical care provided by Save the Children. The women sign a contract obligating all the children in the household to attend school and all the women to go to literacy classes.

Arzu receives about 30 to 50 rugs a month straight from Afghan looms.

The event sold about 20 of the 94 rugs there. The tightness of the weave, style of rug and size determined prices, which ranged from the $383, 2-by-2.8 foot piece called Inspiration 4 to the $11,623, 10-by-10.8-foot Trust 3, a large red Persian-patterned rug.

Rug collector Jerry Silverman said the pieces are not of collectable quality but still good and something he would put in his home.

Arzu’s rugs are copies of traditional designs. Duckworth’s favorite rug is an imitation of the oldest known rug, which carbon dates at 500 B.C. The rug depicts animals and soldiers against a rich red background.

“It’s very well-made and very beautiful,” said Robert Lansing who purchased Chains of Hope for $2,613. “Then you hear the story of the empowerment of women and it rips your heart.”

The rugs hung against the pale yellow walls, with one of the rugs for sale resting beneath guests’ feet. The owners of Minasian consulted for Arzu, donated the space and will be the exclusive sellers of the rugs. Its location takes advantage of a large number of customers from Chicago and the North Shore, said Arzu’s Vice President of U.S. Operations Alyssa Rome.

Previously, Arzu only sold rugs online.

“This is a wonderful forum for us to talk with the clients,” Arzu design consultant Colleen Graham said. “People want to touch and feel the rug.”

About 230 people, mostly philanthropists, rug collectors, designers and their friends RSVPed for the event, although Arzu staff said more probably came.

Duckworth invited Jawad as a fellow member of the U.S.-Afghan Women’s Council created by President Bush and Afghanistan’s President Hamid Karzai.

Jawad emphasized education, particularly of women, as a priority for improving conditions in Afghanistan. She said 69 percent of urban and 90 percent of rural Afghan women are illiterate.

“For ages the rug was part of the culture and the only means for rural women to get an income,” Jawad said. “This is what they’re really good at. It’s what they do.”

Reach Elizabeth Gibson at

e-gibson@northwestern.edu."

Monday, January 23, 2006

Iran News - Miri wins Carpet Design Awards at DOMOTEX 2006

Iran News - Persian rugs shine at DOMOTEX 2006: "Persian rugs shine at DOMOTEX 2006

Monday, January 23, 2006 - ©2005 IranMania.com

LONDON, January 23 (IranMania) - Persian rugs have reportedly sold quite well in DOMOTEX HANNOVER 2006, ILNA said.

DOMOTEX 2006, which was held in Germany last week, is an international trade show and a springboard to the fast-growing Asian markets, offering opportunities to access the Middle East market.

According to Commerce Ministry, Persian rug sales at the exhibition managed to compensate for the poor international sales of the product last year.

Iranian carpet companies were represented with 50 stalls and visitors reportedly took great interest in Persian rugs, world-famous for their unique traditional designs and natural colors.

The organizers of DOMOTEX HANNOVER 2006 announced the winners of the Carpet Design Awards (CDA) on January 15.

For Best Traditional Innovation, Miri Iranian Knots of Iran won the top prize of 1,000 euros.


The judges were impressed with the care this company takes to ensure that each carpet is unique with its own special features, according to the official website of DOMOTEX HANNOVER 2006.

Some $197.1 million worth of Persian rugs was exported during March-September 2005.

Hand-woven carpet exports to Germany and the United States accounted for some 63 percent of the amount in the period during which $45.5 million worth of carpets was exported to Germany, $39.6 million to the US, $17.9 million to the United Arab Emirates, $16.7 million to Japan and $15 million to Italy."

Wednesday, January 18, 2006

Iran News - Museum thefts in Iran cause alarm

Iran News - Museum thefts in Iran cause alarm: "Museum thefts in Iran cause alarm

Wednesday, January 18, 2006 - ©2005 IranMania.com

LONDON, January 18 (IranMania) - Systematic thefts of antiquities from Iranian museums and their sale to Western museums are causing deep concern, the Persian daily Jaam-e Jam reported.

The daily noted that a national campaign should be organized against the network formed by burglars of artifacts from Iranian museums and the justice system is expected to take firm action against those attempting to trade ?the nation?s historical identity by stealing antiquities and exchanging them with money?.

?Three years ago, artifacts of Iran Ancient Museum, including golden plates with inscriptions, were stolen and thieves stole a very precious painting from Golestan Palace as well as a Safavid carpet from Iran Carpet Museum. The theft of antiquities continued when an invaluable handwritten copy of holy Qur?an attributed to Imam Ali (AS) was reported from a museum of Shiraz,? it said.

Police investigations on thefts from Iran Ancient Museum indicated that professional dealers of artifacts are making criminal efforts to steal antiquities. They revealed new dimensions of the theft following its legal action against the burglary of eight artifacts stolen from Iran Ancient Museum. It also lent weight to the theory that there was collusion between some staffers of the museums and the thieves.

Police also revealed that in some cases the original artifacts were changed with a fake. They pointed out that the thieves have been identified as regular visitors of the museums.

The suspicion against certain staffers of museums increased after the statue of a goat unearthed from the Burnt City was found from the warehouse of a gallery after a police raid.

?The statue of the goat has been returned to the museum,? the daily said.

Jaam-e Jam further said that following the latest case of theft from Iran Ancient Museum, people from all walks of life contacted the newspaper and urged Tehran?s prosecutor to bring to justice all those found guilty.

Prosecutor of Tehran?s Criminal Court Fakhreddin Jafarzadeh said that a preliminary report indicated that the thefts from museums have other dimensions that require further investigations."

Tuesday, January 17, 2006

Book Review: More Bull than Godess - Puff Piece on a Puff Piece

Political Affairs Magazine - Book Review: Catalhoyuk � The Goddess and the Bull: "Book Review: Catalhoyuk – The Goddess and the Bull
By Thomas Riggins


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click here for related stories: Science 1-17-06, 8:50 am



Book Review: Catalhoyuk – The Goddess and the Bull: An Archaeological Journey to the Dawn of Civilization, by Michael Balter, New York, Free Press, 2005.

A new book on archaeology makes the claim that "our understanding of our own origins was changed forever" by a very significant dig in Turkey. Michael Balter, author of "The Goddess and the Bull: An Archaeological Journey to the Dawn of Civilization," is a correspondent for the journal "Science." His book is a semi-official "biography" of an archaeological dig in Turkey. But is more than just that. It is three books in one – a history of the dig and the personalities of the archaeologists and other scientists who have conducted it, a history of archaeological theory over the last forty or so years, and finally, not least, a discussion of what the dig tells us about our past.

As for our past, there were extravagant claims made for some of the finds first reported from the site such as evidence for "goddess" worship, a society dominated by women (at least in the cult), the early domestication of certain food species, etc., upon which later investigations have cast doubts.

Nevertheless Balter thinks this dig changed our ideas about our origins. Why? There are several reasons. First, the site is basically an undisturbed Neolithic village that produced, for the first time in this era, representational paintings suggestive of a rich symbolic life associated with an early prehistoric agricultural community. Second, unlike most Neolithic sites, where only material artifacts are found, this site provides a glimpse of the symbolic world of our ancestors as they were, so to say, teetering on the brink of civilization. Third, it is thought that this representational art has religious significance and may have been the motivation for these people all living together at one place. So, this site has changed our views because it is the first to stress not simply the economic side of Neolithic life, but the symbolic, religious and psychological sides as well.



As for the theory part, I am primarily interested in it because, after reading it, I came to the conclusion that there is a lot of confusion about what can and cannot be accomplished by archaeology and about what a sound archaeological method should be and what role Marxist theory can play with respect to it. But, first things first.

Catalhoyuk ("Chah-tahl-hew-yook") is the name of a site on the Konya Plain in south-central Turkey dating from the Neolithic Period in the Near East. Its estimated date is around 7500 BC (+ or -). It may be considered an early "city" ("village" may be a better word) – it is at least a large settlement. It had both agriculture and trade, houses of mud brick, plastered "shrines" or "temples" and fortifications made out of mud brick. House and "shrine" walls were decorated with paintings, mounted bull heads (covered in plaster), and there were many female ("mother goddess") figurines found. The dead were buried under the floors of the houses. I put quotation marks around the words "shrines," "temples" and "mother goddess" because these may be modern conceptions foisted on to the artifacts found at the site.

The names of two archaeologists are associated with the finds at Catalhoyuk (although dozens and dozens of scientists and others worked there under their direction and the discoveries are really a collective effort.)

The first name is that of British archaeologist James Mellaart who was the first to dig at the site. He completed four seasons of digging beginning in 1961. He was forced to quit after the fourth season due to some improprieties regarding alleged purloined artifacts ("The Dorack Affair") which he may or may not have been involved with. His colleagues tend to give him the benefit of the doubt and his professional career made it seem highly unlikely that he was. At any rate, he was tossed out of Turkey and the site was shut down and lay fallow for thirty years.

During the 30-year interval between Mellaart’s dig and that of the next archaeologist (Ian Holder, also British) there was a "revolution" in archaeological theory, at least in the English speaking world, and a large part of Balter’s book is dedicated to discussing it. At least two major figures stand out in this "revolution". The first is an American Lewis Binford and second, David Clarke in the U.K. (who died young).

The movement they started was called the "New Archaeology" and it claimed to be an advancement over the previous generation of archaeologists such as Mortimer Wheeler and the Marxist Vere Gordon Childe among others. The advance was supposed to be more "scientific" and, at least with Binder, to incorporate archaeology within the larger field of anthropology. However, when one goes back and reads Wheeler and Childe the scientific and interpretive "advances" of the New Archaeology do not seem very substantial. Childe long ago recognized that, "In anthropology archaeology must play the same role as paleontology does in zoology."

It seems that all the fuss was about transcending a "cultural-historical" model of interpretation with one modeled on positivism and scientific procedure-- "just as new hypotheses in biology or physics had to be tested by laboratory experiments" so should archaeological theories about the past. Except that archaeology is neither biology nor physics--something, as we shall see, Childe very well knew.

Ian Hodder was brought up in the "New Archaeology" but was early on disturbed by the problem of "equifinality." Equifinality occurs when two or more hypotheses have exactly the same amount of evidence in their favor. Hodder discovered that his research on the problem of a particular spatial distribution of archaeological findings could be explained by mutually exclusive interpretations of the data. He asked himself how could "archaeologists be certain that their interpretations of the archaeological record were correct" if even the scientific method led to equifinality.

In stead of realizing that archaeologists can’t ever be certain of their interpretations because of the nature of their data, Hodder ended up creating an alternative paradigm to replace the "New Archaeology." Influenced by "ethnoarchaeology" – which attempts to read back into past cultures, such as those of the Neolithic, the culture traits of contemporary "primitive" peoples, and by contemporary anthropologists and some "postmodern" thinkers, he developed what has become known as "post-processual" archaeology (as opposed to "processual" another name for the "New" archaeology).

Hodder correctly noted that material culture "is meaningfully constituted" and, as Balter puts it, the artifacts that archeologists find "were once active elements in the living symbolic world of ancient peoples" (a fact well known to Childe). These symbols were not passive reflections of culture put played, as Hodder wrote ("Symbols in Action" 1982) "an active part in forming and giving meaning to social behavior." The problem is not that Hodder is wrong, but that post-processualism doesn’t seem to recognize that we can never know exactly what those symbols meant to past Neolithic peoples nor how they functioned in their social behavior.

The best we can do, as Marxism suggests, is try to deduce from the remains of the material culture what Neolithic life may have been like. The following quote, from "Man Makes Himself "(1936) by V. Gordon Childe is still resonate today and applies to the discoveries at Catalhoyuk as much as to any other Near Eastern Neolithic site. Childe wrote:

Undoubtedly the co-operative activities involved in "neo-lithic" life found outward expression in social and political institutions [and symbols-tr]. Undoubtedly such institutions were consolidated by magico-religious sanctions, by a more or less coherent system of beliefs and superstitions, by what Marxists would call an ideology. The new forces controlled by man as a result of the neolithic revolution [large scale agriculture, new tools, pottery, village life, etc.,-tr] and the knowledge gained and applied in the exercise of the new crafts must have reacted upon man’s outlook. They must have modified his institutions and his religion. But precisely what form neolithic institutions and beliefs assumed is unknowable.

However, under the influence of post modernism and neo-"Marxist" ideas Hodder and his students thought they "could open the door to understanding the meanings of the art and artifacts that excavations uncovered, rather than simply their functions." Hodder insisted that his method was not anti-science but it did discount "the positive approach to hypothesis testing." But hypothesis testing is the core of scientific method.

In 1993, after years of theory, Hodder got a major dig on which he could test his ideas. Turkey was open to having Catalhoyuk once again investigated, James Mellaart gave his blessings to Ian Hodder as his successor at the site, and so Hodder collected a team and left for Anatolia. The work at Catalhoyuk is now in its twelfth season (2005).

One of the great merits of Balter’s book is how it tells the story of this second expedition to open up Catalhoyuk. The story is more interesting than any novel, and his writing about the cast of characters, the archaeologists and others, who took part in the excavations brings archeology and the problems it deals with alive.

Especially interesting is Balter’s discussion of "the central unresolved mystery" of the Neolithic Revolution-- "why had it taken place at all?" Maybe at Catalhoyuk the answer to this question (why did people settle down and begin farming?) would be found.

Here, however, there seems to be a conflict between processual (scientific?) archaeology and post-processual (postmodern?) archaeology. After getting all the data you can from your dig, how do you interpret it? Do you do it as you go along, following Hodder’s view of interpretation "at the trowel’s edge," or do you wait until you have collected a significant amount of information and only then begin to speculate about its meaning?

For example, Balter quotes Ruth Tringham who thinks we should go beyond "the dry data and create ‘narratives’ about the past." Balter also reports that another member of the dig was inspired by this to confess that he had "always felt that excavation directors should be scientific novelists." I’m not sure we should have the license of novelists when we try to recreate the past. However, this individual later decides that he is a processual archaeologist at heart.

Even the central question, "the unresolved mystery" may not have a solution. Gordon Childe maintained that the "Neolithic" was an abstraction. What we call the "neolithic" is the result of, "Various human groups of different racial composition [a dated concept], living under diverse conditions of clime and soil, hav[ing] adopted the same ground ideas and adapted them differently to their several environments."

One should keep this in mind when reading Balter’s discussion in his chapter "The Neolithic Revolution." Here several different theories of the origin of the Neolithic life style are discussed as if they are mutually exclusive rather than complementary. Following Childe’s lead I see the theories discussed as part of a dialectical unity rather than as stark contradictions.

For example, Childe’s "oasis theory" (originally put forth in 1908 by the American R. Pumpelly) is discussed and seemingly dismissed. This is the theory that the first villages with Neolithic techniques developed around oases as the ancient environment dried out. This theory supposedly fell out of favor because geologists and botanists determined the Near East was "wetter rather than drier" in the period of the Holocene (the geological age we are presently in, the Recent Period beginning about 11,000 years ago).

But Childe was aware of the wetness of the Holocene. He mentions the higher rainfall in North Africa and "hither Asia" than is common today. And he qualifies his theory considerably. In "Man Makes Himself" he expressly states that his theory "may never have been fully realized in precisely this concrete form." What is more, he saw the development of the Neolithic as protracted. That is, the theory is put forth as a possible explanation for the origin of the Neolithic in some areas, but parallelism and simultaneity "cannot be proved." It should also be noted that "drier" appears to be back in vogue. John Noble Wilford "Camps on Cyprus May Have Belonged to Earliest Open-Water Seafarers" (New York Times, 11-22-05) writing about the Neolithic in the Near East (9000 to 10,000 BC) calls it a period "of drastic climate change" leading to "colder, drier conditions."

This means that the "hilly flanks theory" (that the Neolithic began in the foothills of hither Asia) developed by Robert and Linda Braidwood is not the "first major challenge" to Childe. It is a complementary theory for a different region of the Near East. I do not want to belabor the point. Several other theories (of varying degrees of intellectual rigor – including a pseudo-Marxist one based on the ‘Fuhrerprinzip’) are discussed in this chapter and the next, none of which is entitled to exclusivity but should be seen as complementary explanations for different facets of a continuous developmental process that has left behind many different archaeological clues at a variety of locations and times.

I would also note that every valid observation made about the Neolithic and about Catalhoyuk in the book ultimately rests on a solid scientific (Childean or New archaeological ) methodology.

As for the goddess and the bull – no one knows what symbolic or ideological role the female figurines found at the site played in the life of the people who lived there. They may have been "goddess" figurines or good luck fertility charms, or children's toys, or something we will never understand. As for the bull decorations, heads, horns, etc., again we cannot be sure what their ideological role was. As Childe suggests, we can project back theories about these symbols based on the knowledge we have from historical times but we will always risk mixing up science with fiction (as recognized also, Balter indicates, by Lynn Meskell one of Hodder’s ex-graduate students now at Columbia University.)

All in all, this book is an exciting read. Balter knows his stuff and anyone interested in the origins of civilization and the ultimate foundations of the modern world we live in will enjoy and learn from it. Besides that, there is basically an undergraduate education in archaeological theory included.


--Thomas Riggins is the book review editor for Political Affairs and can be reached at pabooks@politicalaffairs.net"

Sunday, January 15, 2006

HometownAnnapolis.com, Lifestyle - Away We Go: Textile Museum is a best-dressed site

HometownAnnapolis.com, Lifestyle - Away We Go: Textile Museum is a best-dressed site: "Away We Go: Textile Museum is a best-dressed site
By MARGARET HORTON EDSALL, For The Capital
Cozy up to Washington, D.C.'s Textile Museum, where a warm welcome awaits new and returning visitors.

This often overlooked attraction, a unique jewel in the capital city's crown of cultural landmarks, was designed by renowned architect John Russell Pope and is located on S Street in the northwest section of the city known as Kalorama.

As the only museum of its kind in the country and the foremost institution in the Western Hemisphere devoted to the preservation, study and exhibition of handmade textiles, the facility serves as a valuable resource for anyone who is curious about the textile arts.

The museum was originally the private residence of George Hewitt Myers (1875-1957), financier and heir to the Bristol Myers Co. In 1916, after purchasing the house next door, Mr. Myers merged the two properties into one address. In 1925, he opened these once private doors to the public, inviting everyone in to see his cherished collections of fabrics and rugs acquired during his world travels.

Over the years, The Textile Museum's holdings have increased. Today the facility has grown to be recognized nationally and internationally as a center committed to furthering the understanding of creative achievements in the textile arts. Additionally, the museum works to promote both an appreciation for and awareness of the varied cultures that produce traditional textiles.

The museum features a dazzling array of fabrics and rugs - more than 17,000 textiles and carpets - dating from 3,000 B.C. to the present. Its collections of Oriental carpets and pre-Columbian Peruvian, Islamic and Coptic textiles are among the finest in the world, and its assemblage of Spanish, Egyptian (Mamluk), Turkish and Persian works are unparalleled.

The facility also owns important pieces from China, India and Africa, as well as 20th-century ethnographic textiles made by indigenous peoples from America's Southwest, Mexico, Guatemala, Panama, Ecuador and Bolivia. Historical and contemporary quilts and fiber art complete its inventory.

Currently, the museum is featuring two special exhibitions that will remain mounted into February: "Rozome Masters of Japan" and "Silk & Leather: Splendid Attire of 19th-Century Central Asia."

'Rozome Masters'

"Rozome Masters of Japan," which runs through Feb. 12, features the work of 15 contemporary Japanese artists. The display includes kimonos, folding screens, panels and scrolls, all created using rozome, a wax-resist dyeing technique unique to Japan. The exhibition is complemented by a selection of Japanese textiles from The Textile Museum's own collections.

Rozome has roots in ancient Japan, dating to the Nara period (645-794). It was eclipsed by other resist-dye techniques after the Heian period (794-1185), but experienced a revival in popularity during the early part of the 20th century, when Kyoto-based kimono specialists began to re-examine the possibilities of the wax-resist medium.

Rozome flourished after World War II, when artists became interested in the technique as a vehicle for unique image-making and self-expression on cloth. Today, in the hands of talented artists, rozome is used to create technically breathtaking, complex works.

Unlike other wax-resist dyeing techniques, such as the batik method of applying wax to cloth before repeatedly immersing the cloth in dye baths, rozome involves the use of a brush to apply the wax and dye directly onto the fabric. This provides greater control in the use of color and allows the artist to create areas of subtle shading and depth rarely seen in other wax-resist textile arts.

Two programs have been scheduled to complement the Rozome exhibition:

On Thursday, the public will have a unique opportunity to savor some of the best of contemporary Japan, including exquisite textiles and fine sakes, at a special tour and tasting event, "The Art of Rozome Meets the World of Sake."

Rebecca A.T. Stevens, the museum's consulting curator for contemporary textiles, will give in-depth gallery tours of the special exhibition. Local sake specialist Christian Choi and sommelier Keita Akaboshi will preside over the tasting, presenting a variety of sakes to sample and explaining the various grades of sakes. A selection of Japanese appetizers will accompany the sakes.

The fee is $45 and advance registration is required. For more information, including time of event, call 202-667-0441, Ext. 49.

At 10:30 a.m. Feb. 4, the museum will present the lecture and workshop "Everyday Rozome: Hot Wax and High Design in Japanese Batik Kimono."

For this program, Japanese textile specialist Ann Marie Moeller will display a selection of rozome-decorated kimonos and kimono jackets. She also will explore the realm of "hip" kimono fashions of the 1950s The program is free and reservations are not required.

'Silk & Leather'

"Silk & Leather: Splendid Attire of 19th-Century Central Asia," which runs through Feb. 26, features 38 garments and accessories from the 1800s, each worn by the ruling class and elite of the region, which today encompasses Turkmenistan, Uzbekistan, Kyrgyzstan, Tajikistan and part of Kazakhstan. Included among the visually stunning array of articles are coats, children's clothing and accessory items such as purses, pouches, veils, belts, boots and hats.

Silk and leather have lengthy, intertwined histories as materials for human dress in Central Asia. Silk was first and most prolifically produced in China, where its source and production methods were closely guarded secrets for centuries until they were carried to Central Asia and beyond.

Leather, felt and fur as well as a distinctive clothing style that included trousers made life easier for the horse-riding, nomadic pastoralists of the Eurasian steppe bordering China and Central Asia. The nomads' mobile economy and potent cavalry enabled them to extort vast quantities of coveted luxury goods from the Chinese - first and foremost silk - which they both consumed and sold. The copious production of silk along with the continued use of leather were part of the spectacular blossoming of the textile and related arts during the 19th century in West Central Asia.

How to get there: To reach The Textile Museum, trek west on Route 50 toward Washington, D.C.; continue on New York Avenue into the city, then pick up Massachusetts Avenue; proceed on Massachusetts around Dupont and Sheridan circles; once past Sheridan Circle, look for S Street on the right (near 24th Street); turn right onto S Street and watch for the property on the right. On-street parking is available but limited; some spaces are free, others are metered. (Meters accept only quarters.) The museum is located close to the Q Street exit of the Dupont Circle Metro stop (Red Line).

awaywego@ hometownannapolis.com"

Friday, January 13, 2006

U.S. Newswire : Releases : "Afghan Ambassador's Wife Speaks at the Minasian Rug Company in Evanston, Ill.

U.S. Newswire : Releases : "Afghan Ambassador's Wife Speaks in Evanston, Ill. on Jan. 19": "Afghan Ambassador's Wife Speaks in Evanston, Ill. on Jan. 19

1/13/2006 2:25:00 PM
Contact: Franco La Marca of Arzu, 312-804-4615 or fslamarca@aol.com

CHICAGO, Jan. 13 /U.S. Newswire/ -- Shamim Jawad, wife of His Excellency Said T. Jawad, Afghan ambassador to the United States, will speak at the opening night reception for Arzu's exhibit at the Minasian Rug Company in Evanston, Ill. Additional speaker includes Arzu's Founder and President Connie Duckworth. The ongoing exhibit celebrates the artistry of Afghan rug making.

A Chicago-based not-for-profit, Arzu's mission is to improve the lives of Afghan women, their families and communities, through the sourcing of handcrafted Afghan rugs.

The elegant reception will feature Arzu's rug collection on exhibit alongside photos of the Afghan women that wove them in hope of generating rug sales and donations to facilitate Arzu's cause. Guests will enjoy cocktails and assorted appetizers provided by Jewell Events Catering. The guest list of over 200 VIPs includes prominent members of Chicago's business, finance, diplomatic, and design communities. The reception promises to be a highlight of Chicago's winter social calendar. RSVPs are not required but advised, as space is limited.

Mrs. Jawad will be speaking on current changes in Afghan society as well as the positive impact the U.S. and Arzu have had on the lives of the destitute women and their families. Duckworth will emphasize the need for private sector investment by giving an overview of Arzu's mission, accomplishments, and current direction.

All Arzu rugs are woven on looms in the homes of the weavers. Each unique piece is hand-woven and made with natural dyes. They range from 3' x 5' to 8' x 14' with prices from $600 to $15,000. Each rug weaves a story, reflecting thoughts, experiences and emotions of the women weavers. The rugs have attracted the attention of prominent Chicago designer, Arzu rug owner and confirmed guest, Holly Hunt:

"These handmade rugs reflect a beauty not possible in machine made rugs. I appreciate the love, care and time these women put into making these rugs to support their families."

Event Details:

WHEN: Thursday, Jan. 19, Reception 6:30 – 9 p.m.

WHERE: Minasian Rug Company, 1244 Chicago Avenue, Evanston, IL 60202

To RSVP, please contact Natalie Rulong: 312-321-8664

Minasian Rug Company Showroom Hours: Monday through Saturday 9 a.m. – 5 p.m.

To view Arzu rugs by appointment, please contact Suzana Denovich, sales director, Arzu, Inc. at: 312-321-8675 or to view Arzu rugs online: http://www.arzurugs.org

Arzu, meaning "hope" in Dari, breaks the cycle of poverty by compensating the women weavers at 150 percent of the prevailing rate and by providing access to education and healthcare. Proceeds from the rug sales go directly to the Afghan Operations Program. Arzu, Inc. is a 501 (c) (3) charitable organization.

Business woman and social entrepreneur Connie Duckworth is an active member of the U.S.-Afghan Women's Council; a member of the Council on Foreign Relations initiative on women and foreign policy, and an advisory director of the Business Council for Peace. She is a retired partner and managing director of Goldman, Sachs, & Co., where she was named the first woman sales and trading partner in the firm's history during her 20 year career.

http://www.usnewswire.com/"

Monday, January 09, 2006

courant.com | The Ugly Side Of Those Beautiful Rugs

courant.com | The Ugly Side Of Those Beautiful Rugs: "NE MAGAZINE

The Ugly Side Of Those Beautiful Rugs
January 8, 2006
I was sitting at a lunch table at a multinational consumer conference when I first learned about Rugmark, an international organization that rescues children from slavery at the rug looms in India, Nepal and Pakistan. One story never left me: that of a 5-year-old boy who was stolen from his family when his parents refused to sell him for three dollars.

Child slavery and exploitation still constitute a huge portion of the labor force that creates those beautiful Oriental rugs that consumers love so much. According to the Rugmark Foundation, 300,000 children are illegally forced to work in the carpet industries of India, Nepal and Pakistan, the Big Three in hand-made Oriental carpets. These youngsters are valuable because their small fingers are perfect for the tedious work of hand-knotting.

ADVERTISEMENT




To be clear, we're not talking about all child labor, such as children helping out on a family farm while still attending school. We are talking about exploitive labor, where children are actually enslaved or are forced to work 12 to 16 hours a day in sweatshop conditions and paid so little they can barely buy a bowl of food for dinner. These are children who are abused, who sleep on the floor next to their looms and have no hope of ever getting out unless they get sick, die or are sold for sexual exploitation.

Since 1995, the Washington-based Rugmark Foundation has rescued 3,000 of these children and, with their families' permission (if there is a family), brought them into Rugmark boarding schools where they get safe housing, food and an education.Rugmark has prevented enslavement of thousands more through inspection, legislation and publicity.

It hasn't come easily.

After Iran banned children from rug-making in the 1970s, (yes, Iran), production moved to South Asia where the labor force was comprised largely of children, some as young as 5. Some of these kids are sold for a few dollars by parents desperate to keep the rest of the family alive. Others are simply ensnared by poverty. Once in, they can't get out because they are paid almost nothing or because the loom owners claim the kids owe them "debts" and therefore any "pay" is retained. Such practices are banned by the United Nations and the International Labor Office and considered slavery.

The Rugmark Foundation works by rescuing these children and by certifying loom owners who use no child labor and permitting them to attach the RUGMARK label to their products. The foundation makes both announced and unannounced inspections. The RUGMARK label, a smiling cartoon face against a carpet background, bears a certification number that can be traced back to the loom where the rug was made to prevent misuse. The foundation has no police authority. Its strength comes from consumer awareness and action: Buyers can help stop illegal child labor by purchasing only RUGMARK certified carpets or those approved by other oversight organizations.

This human tragedy is nowhere near resolution. According to Nina Smith, executive director of the foundation, Rugmark certifies only 1 percent of the $1.2 billion worth of Oriental rugs sold annually in the United States, about half of them coming from the Big Three. There are 30 U.S. import companies selling RUGMARK certified carpets to 800 retailers around the country.

Rugmark hopes to increase its share of certified carpets to 15 percent within the next decade through a consumer awareness program. "We believe that this level of market penetration could completely eliminate exploitative child labor in the rug industries of India, Nepal and Pakistan," Smith said.

But the system can't work without the commitment of the importers and retailers. They make the decision whether to deal in illegal labor-free rugs - or to close their eyes. One importer, Emma Gardner Design LLC. in Litchfield, has made that commitment. As a licensee of the Rugmark Foundation, Emma Gardner deals only in certified, child labor-free carpets. Its sole Connecticut retailer is Cobble Court in Litchfield.

Company president Patrick McDarrah is passionate about the subject. He says, "The biggest problem," he says, "is dealer apathy. Sitting in between manufacturers and consumers, they could really make a difference."

I made random calls to some of the large Oriental carpet retailers around the state to learn whether they deal in RUGMARK certified carpets. Beside Cobble Court, the only other one is Circa 2000 in Westport (supplied by New Moon). No one from Kaoud's returned my calls, and Mike Norman of Pasha's Rugs in West Hartford declined to discuss the matter.

John Kebabian, Jr., owner of Kebabian's in New Haven, says he insures against illegal child labor by maintaining his own group of home weavers. This doesn't mean he uses no child labor, just no illegal child labor. He says any children working on his rugs are doing so in their own homes and under the supervision of their parents, not in sweatshops.

But he paints a bleak picture in India. "I've seen traders in New Delhi with huge warehouses filled with junk. They don't care who made them. The rugs [are shipped here] and sold at phony going-out-of-business sales, auctions, and fraternal halls and estate sales. [And some] retailers set an artificially high price and then discount it, and the buyers think they're getting a bargain."

So, if carpets don't have the Rugmark or other oversight organizations' certification, how does the consumer know if they were made with illegal child labor? "The consumer can't know because the dealers don't know. Most of their rugs are consigned. They can't even tell you where they came from," says Kebabian.

Joe Namnoun, owner of J. Namnoun's Oriental Rug Gallery in Hartford, says he protects against illegal child labor by dealing in only high-end rugs, $50 a square foot and up. "The higher up the food chain you go, the less child labor you have. These are sophisticated, controlled designs and you don't see child labor there."

To avoid the cheaper carpets that are more likely to be made by children, Namnoun also warns against ridiculously high percent-off sales. "Does anyone really believe that you're going to get a $10,000 rug for $3,000?" adding that retailers who advertise this way often keep those same sale signs on for long periods. "They're not really sales and you're usually getting low-end, low-quality products."

Not all dealers support attempts to end child labor. Armen Proudian, owner of A T Proudian, Inc. of Greenwich, believes we should leave well enough alone. He says he doesn't "belong or subscribe to any of these [oversight] organizations." Now he deals mostly in antique rugs but concedes, "At one time, we were direct importers and of course we used child labor. Were these kids underage? Hell, yes. Were they underpaid? Hell, yes. But did we pay them according to their standards? Hell, yes, and that meant they could eat.

"You don't want to get a flat tire in one of these places because about eight kids will come and fight to the death to change the tire. You can yell about child labor and have the kids starve to death or allow them to work and survive." Proudian dismisses "pompous ass" politicians who "try to impose our standards on people barely able to survive."

"I'm not talking about slavery," he said. "My partners, who are Pakistani, make sure they get paid so they can eat."

Smith disagrees. "This just keeps them in the cycle of poverty." She emphasizes that Rugmark is not shutting down looms, but rather providing an alternative to exploitative child labor that keeps these kids in misery, often for a lifetime.

Says McDarrah, "... we all know that, label or not, (the) issue is who made the rugs and that it is not acceptable to support child labor. We are hoping that our industry can get to where apparel is now, after the Nike and other scandals of the too recent past... the point is not, `yes we know they are under aged and underpaid but it's OK because that's the way it is over there.' It is that exploitation is always wrong."

"Retailers, manufacturers and consumers who choose to ignore the facts have blood on their hands," McDarrah said.

The University of Connecticut's Human Rights Institute has the only UNESCO Chair in Human Rights in the USA. Visit www.humanrights.uconn.edu

June Sandra Neal is a freelance writer in West Hartford. She was director of communications and consumer education for the state Department of Consumer Protection for 23 years."

Thousands Visited Rug Exhibition in Tehran - Persian Journal Latest Iran news & Iranian Newspaper

Thousands Visited Rug Exhibition in Tehran - Persian Journal Latest Iran news & Iranian Newspaper: "Culture Jan 8th, 2006 - 19:49:25
Page One > Culture

Thousands Visited Rug Exhibition in Tehran
Jan 8, 2006
More than 15,000 individuals visited the exhibition of invaluable Persian carpets which was held in Saad Abad Palace Complex from 28th of December to 7th of January.

"Because of the cultural significance of the museums, they are best places for holding such exhibitions. We exhibited some invaluable and unique carpets woven by master Iranian artists in Saad Abad Complex. Once there used to be even some carpet workshops in this complex which showed how rugs are woven. We should teach today's generation to continue the art of their ancestors," said Mohammad Abdolalipour, manager of Saad Abad historical-cultural complex.

According to Abdolalipour, exclusion of carpet exhibitions from the programs of museums and cultural centers has resulted in considering them as means of trade rather than looking at carpets as beautiful pieces of art, while both aspects should be taken into account. Thus, we must do our best to bring carpets into the museums and make people look at them as pieces of art rather than pure financial assets.

The manager of Saad Abad complex also expressed his satisfaction of the attendance of a more specialized team during this exhibition compared to last year's exhibition, and expressed hope for an even more specialized one for next year.




Persian carpets are the most exquisite form of art, inherited from generation to generation in Iran. Persian carpets enjoy a special reputation in the world. Perhaps the most important time in the history of Persian carpets came when the Safavid kings were ruling over Persia (1499-1722 AD). Indeed, the first concrete proofs of this craft dates back to this period. During the reign of Shah Abbas, the Safavid king (1571-1629), commerce and crafts prospered in Persia. Shah Abbas encouraged contacts and trades with Europe and transformed his new capital city which was Isfahan back then, into one of the most glorious cities of Persia. He also created a court workshop for carpets where skilled designers and craftsmen set to work to create splendid specimens.

Most of these carpets were made of silk, with gold and silver threads adding even more embellishments.

Today, approximately 1500 examples of unique Persian carpets are preserved in various museums and in private collections worldwide."

Thursday, January 05, 2006

Guidelines for how Iran must treat Armenian Christians

Iran Trade Point -: " iv. In the Magazine ‘Al Hukam’ Vol. II No. 47 of 1906, there appeared an article saying that the Russians in 1905 found an order of Hazrath Ali, in his own hand-writing which was in Koofi script. This was found in a monastry of Ardabail, cief town of Azer Baijaan. This letter was an amnesty deed to the monastry and the Christians of Ardabail. Translation of this deed appeared in the Russian newspapers and thence it was translated in the Turkish papers and in the Arabic Magazines of Cairo and Bairuth, and lots of commentating articles on the spirit of toleration and the treatment of conquered by Islam were written by the Russians and Arab Christians. Apparently from the Magazine Hablul Mateen it was translated by the Al Hukam.



In this deed Hazrath says that as a caliph and a ruler, he promises safety and security of life, property, honour, social status and religious freedom of Armanian Christians. This order should be obeyed by his officers and by his successors. The Christians should not be maltreated or looked down because they are non-Muslims. So long as they do not try to betray and injure the cause of the state or Islam they should not be molested and should be allowed to practice their religion and trades freely and openly. Islam teaches us to carry a message of peace with us and improve the status of society wherever we go and the best way to achieve this is to create amity, friendliness and concord between human-beings; therefor, Muslims should try to develop friendship of these people and should never resort to wrong use of power, force and arrogance. They should not be over-taxed, should not be humiliated and should not be forced out of their homes, lands and trades. Their priests should be treated with due respects, their monastries should be protected, they should be allowed to carry on their lectures, teachings and preachings as usual their religious ceremonies should not be prohibited. If they want to build their places of worship then fallow and ownerless lands should be allotted to them. One, who disobeys this order is fallow and ownerless lands should be allotted to them. One, who disobeys this order is going against the orders of God and the Holy prophet (A.S.) and will deserve His Wrath."

Wednesday, January 04, 2006

Zanjan’s Qajari Buildings Attract More Tourists

Iran Daily - Arts & Culture - 08/25/05: "Zanjan’s Qajari Buildings Attract More Tourists
Farzaneh Shokri

Historical buildings from the Qajar era have become the main attraction for tourists visiting the western province of Zanjan.
Zanjan’s old marketplace (Bazaar), Zolfaqari Palace, Jame’ Seyed Mosque, Lady (Khanom) Mosque, Mir Bahaeddin Bridge, Sardar Bridge are among the examples of Qajar architecture in the city.
Though several ancient buildings are threatened with destruction, the splendor of the ancient architecture has won the admiration of every visitor.
The construction of the traditional marketplace (Bazaar) began in 1834 under the Qajari king, Agha Mohammad Khan and ended under Fath-Ali Shah Qajar.
Several mosques, guesthouses and public baths were added to the compound in 1945.
The marketplace is built in a straight line--upward and downward--and divided into the eastern and western wings.

Persian Rugs: Guide To Zanjan Rugs



Corridors separate the areas according to craftsmanship. For example, the sections reserved for goldsmiths, cloth merchant, hat makers, tinsmith and other crafts are separate from each other.
There are five ancient mosques--Chehelsotoon (40 pillars), Agha Seyed Fathollah, Hojjatoleslam, Jame’ Mosque and Molla Mosque--which have added to the splendid architecture of Zanjan’s marketplace.
An Iran Daily reporter visiting the city cited Zolfaqari Palace as another heritage of Qajar architecture which contributed to the historical identity of Zanjan.
The palace has interior and exterior departments which include administrative sections. It was built in Qajar era before the construction of Zolfaqari Street (modern Taleqani).
Sections of the palace are currently in ruins. Of course, the exterior part of the building remained durable. Zolfaqari Palace was built in two stories. The underground part of the building has water storage facilities and the entire design is based on European Gothic architecture.
Zolfaqari Palace was built in the late Qajar era.
Jame’ Seyed Mosque, which is situated in the heart of the city, is yet another edifice of cultural heritage. It is linked to Qeisarieh market from the west, to an alley from the east to Imam Street from north and Sabze Meidan from south.
Prior to the construction of the modern Imam Street, the Mosque was linked to a square in front of Darol-Hokoumeh (Administrative Building).
The mosque was built by Mirza, the eleventh son of Fath Ali Shah of Qajar when he was the governor of Zanjan.
Lady (Khanom) Mosque was also constructed during the Qajar reign. It is located at Fakhim-oddoleh on present-day Imam Street. It has interesting interior decorations of tiles and brick works.
It has a minaret for Azan (call to prayers at mosque three times a day). There is spiral stairway through which the muezzin, the person who calls people to prayers, goes up to the minaret.
The mosque enjoys unique interior decoration.
Another historical structure, Mir Bahaeddin Bridge, called Pol-e Kohneh (old bridge), was built in the southern part of Zanjan over Zanjan-Roud (river). It has helped villages living on the other side of the river have access to Zanjan.
It is 100 meter long, 6.7 meters wide and 12 high from the surface of the river.
Of course, modern bridge has been built linking Zanjan to cities in Kurdestan province.
Pol-e-Kohneh has decorative arches and was built under Nasser-eddin Shah of Qajar.
In addition Zanjan also boasts of the famous Soltanieh Dome, a cultural heritage structure in the suburbs of Zanjan, which is on UNESCO’s global heritage list."

UAE: Dubai Shopping Festival host Carpet Oasis - Textile - Business News - Textile News

UAE: Dubai Shopping Festival host Carpet Oasis - Textile - Business News - Textile News: "UAE: Dubai Shopping Festival host Carpet Oasis

ABU DHABI: Carpet Oasis, a unique international exhibition introduced ten years ago, will display over 150000 masterpieces of hand woven carpets, rugs and traditional souvenirs at Dubai Shopping Festival, as said to sources on January 03.

Further event comprise of a rare, unique and expensive carpets made from exquisite materials that date back hundreds of years.

Carpets on display are a collection from different countries best known for their carpets.
Famous Persian carpets from Isfahan, Qumm, Na`een, Hamdan and Tabreez, and also Turkish 'Hariki' carpets along with those from various regions of Afghanistan, India and Pakistan, can all be found here.

Since its inception in 1996, the sales figures of the Oasis have been rising sharply, year after year. Absence of taxes on direct sales and on re-export operations provides the traders and merchants with respectable bargains."